Who’s that dancing with my mother? - Page 3
From Griffith REVIEW Edition 25: After the Crisis
© Copyright Griffith University & the author.
Written by Lloyd Jones
This time, as the skaters came barrelling down the straight before the crowd, my mother threw her head all the way back until her skates were over the escaper's head, which brought a gasp from the crowd. Then she brought her skates overtop, as if she were doing a backward roll. Over she went until her skates touched the rink. The escaper reached between his legs and drew her through until my mother was the lead skater. She turned to face him now, and he lifted her so she had her legs splayed either side of him and they were joined at the waist. People had stopped talking and were just staring.
My mother's head was tossed back and she held onto the escaper's shoulders. She started to move up and down with her hips. Neither of them seemed concerned for skate speed. The escaper managed to steer them both up the end shoulder to see them down the straight. On the far side of the rink they moved through the pool of light from the overhead lamps, into shadows, then light again. My mother's face turned a fluorescent colour; now the escaper's head fell back. They were locked together in another movement that had nothing to do with skating.
I heard Cadillac come on over the PA to get more skaters onto the rink. But no one was listening. And there was no heart in the message, because Cadillac did not repeat it.
What happened next had nothing to do with Cadillac, or the crowd looking on. From the esplanade a police siren could be heard. The escaper's head turned a fraction. I believe it was the only intervention he would have heeded. He and my mother had come almost to a standstill in a shadow at the end of the rink. Some of the crowd had moved there to get a better look. The sirens were close now. My mother was lowered onto her skates. She and the escaper stood straight and near to each other, like lovers in a park.
He kissed her once – on the cheek. Then he split. He pushed off and was nearly in a speed crouch when he passed me.
I heard someone bitch that the escaper hadn't returned his skates. ‘Typical,' from someone else.
He leapt the turnstile for the esplanade and skated through the first set of lights. One violation after another, cast behind like discarded clothing.
My mother was buttoning her cardigan, as if it was the most important thing in the world. Her cheeks were still flushed. She knew I was nearby, but she looked up in her own good time. She said, ‘You enjoying yourself, Charlie? Not too much, I hope, because I feel like going home now.'
The drunks near the hotdog stand called out things, but she took no notice. ‘Look at that, Charlie,' she said, and very deliberately she pointed over the heads of the cowboys, to a fairly ordinary sunset.
While we were getting out of our skates Cadillac came out of his glass dome. I had never actually seen him. He had a pointed beard – like the famous record-spinner – but he only just cleared the top of my head. He looked frightened, and in a quiet voice I never imagined might be his he said the police had sent through word that they wished to speak with my mother.
He mentioned the man being an escaper, and my mother, still cool as a cucumber, said, ‘What, you mean that nice young man?'
Two blocks away from the skating rink she permitted herself to say something, and I realised she was shaking like a leaf.
‘I feel like singing,' she said to the trees. Then she stole a quick look at me. ‘Charlie, you're not angry with me. Are you, Charlie? Don't be. I haven't skated like that for years.'
We came to our street and from here we should have been able to see the house lights. The car wasn't in the driveway, and I worried that it would have some effect. But she didn't appear to notice. Or, if she did, she didn't care. At the door she said she thought she might have a bath. As it happened we pushed through to the living room, where her eyes went straight to the torn quarters of the photograph. She crossed her arms, and thought.
‘Charlie,' she said. ‘Go get that glue from the top of the fridge. Let's not disappoint your father.' ♦
