A political life

From Griffith REVIEW Edition 3: Webs of Power
© Copyright Griffith University & the author.

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Bridget Griffen-Foley's biography and other articles by this writer

 

Alan Reid thought his brilliant career had gone bung. As a result of articles he and his editor-in-chief, David McNicoll, had written in the Packer-owned The Sunday Telegraph and The Bulletin, the Labor MP Tom Uren had been awarded £30,000 ($60,000) damages, the highest sum ever obtained in an Australian defamation case. In 1963, Reid had scored perhaps his greatest scoop (more of an exposé, really) to date, recording the ALP national executive meeting to discuss defence policy while its parliamentary leaders loitered in the street. Now, a year after the publication of the famous "36 faceless men" story that was haunting the ALP, Reid was intent on avoiding his volatile boss.

Sir Frank Packer finally rang Reid and asked him for a favour. Reid was to go to the Australian Consolidated Press (ACP) residence in Red Hill and rummage around in the hallway cupboard. "You'll find a shotgun and some shells," Packer said. "If you load it and put it to your head, I'll pay somebody to pull the trigger." Having had his little joke, Packer assured the worried political correspondent that the payout was "only money" and, besides, it would be a long time before Uren got his hands on it. Refusing to let the matter rest, Packer dragged it through the courts until 1969. According to Reid, it was only after he acted as an intermediary that Packer and Uren agreed to settle out of court.

The story is vintage Alan Reid. Here he is, apparently telling a story against himself, while actually placing himself at the centre of the action. We see Reid responsible for ACP's loss (even though McNicoll and the lawyers had also played a role); enjoying a jocular camaraderie with his employer; being too valuable as a political correspondent to lose; and resolving (with a little unacknowledged help from others) an expensive legal saga.

Much ink about Reid has been spilled by fellow journalists, many of them protégés; "legendary" is the adjective used most frequently. Having dodged a bullet in 1964, Reid continued to write for ACP and churn out books and even plays until ill health forced him to retire in 1985. Reid may not have produced an autobiography but he wrote himself into the public record nevertheless – with articles on "My Role in the Labor Split", "Prime Ministers I have known" and "A strange rooftop sect", and in his book The Gorton Experiment (Shakespeare Head Press, 1971). He also recorded lengthy oral history interviews - one in 1972 and two more in 1986-87, shortly before his death. The tapes and transcripts are copious, often containing multiple accounts of the same incident; there are subtle shifts in emphasis and in the ostensibly verbatim recollection of long-ago conversations. When relaying his story about the Uren case to Daniel Connell, Reid asked his interviewer: "Have I told you this story?" Reid's career was about breaking and, at times, embroidering stories as he became, quite self-consciously, the éminence grise of the federal parliamentary press gallery and a player in, as well as a reporter on, political events for nearly half a century.

 

THE ENGLISH-BORN SON OF A SEAMAN, REID CAME TO SYDNEY in 1927 and was educated by the Christian Brothers at Waverley College. He was no conventional product of a poor working-class Catholic family, refusing to attend Mass and opting instead to read Marx under his desk. He harangued fellow pupils – including Frank Browne, who was destined to emerge as another important Canberra insider/outsider – about the merits of Premier Jack Lang. Leaving school during the Depression, Reid went bush and was unemployed for long periods before R.C. Packer (Sir Frank's father) took him on as a copy boy at Associated Newspapers, publisher of the Sydney newspaper The Sun. Reid became a cadet journalist but was fired for drunkenness, before being given a reprieve and sent off to Canberra.

In years to come, probably no journalist who had disgraced his or her copybook would be dispatched to the national capital. But in 1937, Canberra had been home to federal parliament for only a decade and barely two dozen political correspondents were based there permanently. Arriving in Canberra a "mad Jack Lang man", Reid was deeply influenced by the Labor government during the war. He was captivated by the combination of John Curtin – "a superb thinker" – and his trusted lieutenant Ben Chifley – "earthy, well-read and eminently practical" – and the government's dedication to winning the war and planning for postwar reconstruction convinced him to join the ALP. Reid became certain that the party was the dynamic of Australian politics, whether in government or opposition. He rejected all forms of totalitarianism, coming to the pragmatic view that "Australian socialism consists of a fair go to everyone". It seems that Chifley (who was to remain Reid's favourite prime minister) attempted to entice the young journalist into politics. Reid declined the invitation, fearing he would be corrupted by power far too quickly: "I like string-pulling and the like, getting numbers together, I like doing that and I view that in me as a bad weakness so I decided against entering politics."

He learned much from the Melbourne Herald's established political correspondent J.A. Alexander who, with Sir Keith Murdoch, had cultivated Joe Lyons's dissatisfaction with the Scullin Labor government and took some credit for installing Lyons as prime minister in 1932. Reid was less concerned with the result of Alexander's political machinations (Reid did, after all, view Lyons as the "great rat") than with his methods: "He had an uncanny sense, Joe did, just from watching people, of realising what they were talking about and being able to hit the mark pretty well ... Joe realises [sic] all the forces that were at work in the show, as well as those mechanical leaks. He could play one off against the other and do it very well."

Emulating Alexander's prowess in avoiding "mechanical" leaks, Reid identified the forces at work within the Labor caucus and subtly set source against source to build up a complex composite picture. Appointed head of the Canberra bureau of Associated Newspapers, Reid boasted that he could "find out almost anything I like about the Labor Party – its aims, its thought trends, the clash of opposing forces within its ranks". By the 1950s he had been around long enough to have an intimate knowledge of the cabinet hierarchy, the mechanics of the Labor caucus, the workings of the committee system, the tensions between the House of Representatives and the Senate, and the interaction between public servants and ministerial staffers. As journalist Sam Lipski noted, Reid believed that politics could only be understood as something that went on at many levels outside Canberra - in employer organisations, trade unions, party branches and party machines.


REID WAS INTERESTED IN THE WORKINGS OF POLITICAL MACHINES as he was in parliamentary debate and electoral campaigning. A later political correspondent, Richard Farmer, credited Reid with being the first to really understand the ALP's factional nature: "He was fascinated with factional politics and recognised it in the 1950s before others knew it existed." For years, Reid was the only correspondent to bother with meetings of the ALP federal executive and national conference. Newspapers traditionally sent their industrial roundsmen to such meetings; they reported the formal resolutions but rarely related them to the wider political scene.

Reid's interest in the internal machinations of the labour movement led, in September 1954, to perhaps the first (and one of the most melodramatic) articles about social commentator B.A. Santamaria's connection with the Industrial Groups. While the article helped precipitate ALP leader, Dr H.V. Evatt's famous statement about disloyal elements within the ALP, a "very insistent and persuasive" Frank Packer was attempting to lure Reid to his stable. Reid moved across to ACP in October but refused Packer's demand that he resign from the ALP, saying it was not up to his employer to determine what he did in his spare time. The proprietor of the increasingly conservative Daily Telegraph and Sunday Telegraph relented, as he found in Reid a man with an almost unparalleled knowledge of goings-on in Canberra and someone capable of teasing out the divisions within Labor ranks. Criticised for devoting his forensic pen to the beleaguered ALP rather than exposing any faults in the coalition, Reid had a simple response: "I think I expected more of Labor." With Curtin and Chifley gone from the scene, Reid fell out with Evatt and his deputy, Arthur Calwell. By 1957, rank-and-file ALP members were complaining that the views Reid expressed in his column "Political Parade" and other articles for The Daily Telegraph were "incompatible with Labor principles". At the end of the year, the South Canberra branch failed to renew his membership.

The man who had rejected Catholicism and had in turn been rejected by the ALP operated as something of a loner. Reid's unnerving trademark was to walk down the corridor past the other offices in the press gallery, whistling, when he was on to something good. His interest lay in the political game rather than in ideas and philosophies. He delighted in shocking his colleagues when they took a stance during the 1960 case involving Max Stuart, an Aborigine controversially convicted of the murder of a young girl: "I didn't give a continental whether they hanged Stuart or did not hang him as it was still a good story either way." Reid also wrote a play in the 1950s that was finally performed in Canberra in 1975, that most dramatic of political years; The Indelible Stamp was set in what Reid called our "national theatre, the Australian Parliament". He was even capable of writing a book about Christ's death "purely from the political angle, with no religion in it"; The Christ Killers was deemed too controversial to publish.



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