For Writers

Submissions

We run open calls for submissions throughout the year:

  • Non-fiction call-outs are open four times a year and invite full submissions in response to a loose edition theme.
  • Fiction call-outs are open two times a year and invite full submissions for short fiction on any subject (short fiction doesn’t need to align with edition themes).
  • Poetry call-outs are open four times a year and invite full submissions for poetry on any subject (poetry doesn’t need to align with edition themes).
  • We occasionally open call outs for specific projects such as the Griffith Review Emerging Voices competition.

Griffith Review in 2024

  • Griffith Review 83: Past Perfect (Feb): examining our love affair with recycling our history – CLOSED.
  • Griffith Review 84: Attachment Styles (May): going beyond the family tree to consider our myriad emotional bonds – CLOSED.
  • Griffith Review 85: Status Anxiety (August): exploring the fallout of our status anxiety. - OPEN
  • Griffith Review 86: Leaps of Faith (November): examining the many faces of faith and belief and how they shape us.

Status Anxiety - Poetry call

Like the answer to a riddle, status is all around us, but it can’t always be seen or heard. The silent switchboard behind our professional and personal interactions, status dictates our place on the guest list, in the room, at the table; through its connections to class, race and gender, it affords some of us power and wealth and others empty promises. But why does status so often go unnoticed? How does it influence everything from social inequality to personal relationships? And what changing forces have come to bear on the high or low status we’ve ascribed ourselves and others over the centuries?

This edition of Griffith Review grapples with the fallout of our status anxiety and explores what happens when we don’t measure up.

While poems do not need to be themed, we welcome submissions that respond to this topic.

You can submit up to four individual poems, each no longer than two pages

Submissions open: Monday 22 April 2024

Submissions close: 11:59pm AEST, 5 May 2024

Publication date: August 2024

We'll let you know the outcome of your submission within eight weeks of the closing date.

Submit here

GR Online + black&write!

black&write! Indigenous Writing and Editing Project

Calling all First Nations writers: Griffith Review is on the lookout for some fresh online content, and we want to hear from you!

We’ve teamed up with our friends at the black&write! Indigenous Writing and Editing Project to run a special GR Online pitch call-out for First Nations wordsmiths. If your pitch is successful, you’ll work with the GR and black&write! editorial teams to develop it for publication in the second half of the year.

GR Online is Griffith Review’s online publishing platform, where we showcase short (1,000–1,500 words) pieces of commentary, analysis and critique on subjects as diverse, esoteric or topical as you like (check out the GR Online homepage to get an idea of what we’ve published over the last year). We pay $500 per article.

We want new perspectives, original thinking and a healthy dose of stylistic flair. If this sounds like you, here’s what to send us by the call-out closing date:
- a short (no more than 100 words) biographical statement
- up to three short pitches (no more than 150 words each) for potential piece
- a short (no more than 500 words) writing sample that shows us what wordsmith wizardry you can bring to GR Online.

If you’re successful, we’ll notify you by the end of June 2024. (Please note that we’re only accepting pitches from First Nations writers for this call-out.)

Submissions open: Monday 29 April 2024

Submissions close: 11:59pm AEST Sunday 9 June 2024

This project is supported by Arts Queensland. black&write! is supported by the Copyright Agency's Cultural Fund and the Australian Government through Creative Australia, its principal arts investment and advisory body.

Submit here

Writers’ guidelines

Griffith Review is a literary and current affairs journal that’s aimed at a general readership – although we’re part of a university, we’re not an academic publication. We publish work by established and emerging writers – most from Australia, some from overseas – and we curate each edition loosely around a particular theme.

We like writing that’s erudite yet accessible, provocative yet persuasive – but what’s most important to us is that our writers have the space to express their own voice.

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