Griffith Review is thrilled to announce the winners of the 2019 Contributors Circle Residencies.
Congratulations to Meera Atkinson, Adele Dumont, Tim Dunlop, Jane Gleeson-White and Fiona Murphy, who will all take up week-long writing residencies at Varuna, The National Writers’ House this year.
Made possible by the generosity of the Graeme Wood Foundation, these residencies provide writers with the time and space to further develop a current work – and all in the beautiful Blue Mountains.
Griffith Review is thrilled to announce the industry judges for The Novella Project VII!
In partnership with Ashley Hay and the Griffith Review editorial team, the winners of this year’s novella competition will be selected by Maxine Beneba Clarke, Matthew Condon and Aviva Tuffield.
Maxine Beneba Clarke is an Australian writer and poet of Afro-Caribbean descent. She is the author of the Indie and ABIA award-winning short fiction collection Foreign Soil (2014). Her most recent poetry collection Carrying The World won the 2017 Victorian Premier’s Award for Poetry. Maxine is the author of the CBCA winning picture book The Patchwork Bike (a collaboration with Melbourne artist Van T Rudd) and her critically acclaimed memoir The Hate Race is being adapted for stage for Melbourne’s Malthouse Theatre. She writes for the Saturday Paper and recently edited the anthology Growing Up African in Australia.
Matthew Condon is a prize-winning Australian novelist and journalist. He is currently on staff with the Courier-Mail’s Qweekend magazine. He began... Read more
Following the outstanding success of Griffith Review 62: All Being Equal – The Novella Project VI, submissions are now open for Griffith Review’s seventh annual novella competition!
Boasting a prize pool of $25,000 to be shared equally among winners, The Novella Project VII is one of the richest novella competitions in the world.
The winning entries will be selected by Maxine Benebe Clarke, Matthew Condon and Aviva Tuffield, and will feature in Griffith Review 66: The Novella Project VII, published in early November.
There is no theme for the 2019 competition, and both fiction and creative non-fiction works of 15,000–25,000 words will once again be eligible.
Need some inspiration? Griffith Review’s recent celebration of the novella form, Novella November, featured instructive and reflective notes on novellas from Michelle de Kretser, Helen Garner, Nick Earls and many more. You can read all of them here.
Now, let your imagination run wild. We look... Read more
2019 Griffith Review Contributors Circle Varuna Residencies
Griffith Review invites applications from current Contributors Circle members for a week-long writing residency at Varuna, The Writers’ House. A Varuna residency provides a week’s accommodation, meals and a private workspace to further develop a work in progress in the beautiful Blue Mountains.
Griffith Review Contributors Circle members who are Australian or New Zealand citizens or residents are eligible to win one of up to five residencies at Varuna, The Writers’ House in 2019. This includes a week’s accommodation, meals and a private workspace (please note that airfares/transfers are not included).
To apply for the 2019 Griffith Review Contributors Circle Varuna Residencies, submit the following through our Submittable portal before midnight, Sunday 10 March 2019:
- a statement outlining how the residency would benefit you;
- a description of the work you would undertake during the week;
- an overview of the project and brief plan for its completion;
- and... Read more
What is it about crime stories that make people hunger for them? The volume of content produced in these genres – from the pages of mysteries and thrillers to audio and visual dramas and reconstructions – hints at a primal and deeply ingrained fascination with the darker side of human nature.
This fascination is often rooted in fictional material. But the ways that crimes play out in the real world – and the ways they are dealt with by both our justice systems and our differing approaches to and arenas for punishment – are often more complex, compelling and shocking than the most complicated imagined plots.
Beyond the impact of individual cases, broader discussions about justice and punishment continue to attract attention. Debates on prison privatisation... Read more
Griffith Review is pleased to announce the winners of the sixth annual Novella project, supported by Copyright Agency’s Cultural Fund. Congratulations to Miriam Sved, Erin Gough, Daniel Young, Holden Sheppard and Lucy Neave who will join Griffith Review Queensland Writing Fellows Rosie Funder, Anne Richards and Victoria Carless, as well as Anthony Macris and Ronnie Scott in Griffith Review 62: All Being Equal.
Judges Melissa Lucashenko, Benjamin Law, Dennis Altman and Aviva Tuffield, and the Griffith Review editorial team, selected the winning pieces from sixty entries.
Published 29 October 2018, Griffith Review 62: All Being Equal explores the texture of equality, bringing to life the big issues in the national narrative and the stories around them.
The Griffith Review Queensland Writing Fellowships are funded by Arts Queensland. Entries are currently open for the 2019–20 program. The Griffith Review Novella Project is an annual competition-based program supported by Copyright Agency’s... Read more
Griffith Review is now accepting submissions for the 2019–2020 Queensland Writing Fellowships
Up to six fellowships of $3,000–$7,000 will be awarded in 2018 to Queensland writers, or those with strong ties to Queensland. The Fellowships are designed to enable writers across all genres to develop a well-considered work or further develop a work already underway, or to facilitate the next stage of a work in progress.
In 2018 Griffith Review particularly encourages submissions from Indigenous writers, writers of diverse backgrounds and at all career stages. Entrants are encouraged to consider their proposals in light of current Griffith Review call-outs, including themes of digital disruption, the contemporary genres of gender, and the annual novella edition. (More details on plans for 2019 will be available here on the Griffith Review website in the coming weeks.)
Submissions may be in the form of essay, memoir, reportage or novella (fiction and creative non-fiction). An integrated project outline, including... Read more
Griffith Review 64: The New Disruptors
Edited by Ashley Hay
Submissions now open
Deadline for pitches (non-fiction only): 5 August
Deadline for full submissions: 2 October
To be published: 29 April 2019
The original pioneers of Silicon Valley dreamed of a better world, but digital disruption has become a threatening catchphrase in recent years. Many of the technologies now at our fingertips are deliberately disruptive, changing industries, economies, politics and institutions and many facets of our lives from work and romance to art and travel.
These new tools allow us to know more and find out more. We are better connected, and our information ecosystem is richer. But new opportunities for manipulation and abuse are also emerging: we’re starting to see the enormity of changes and effects that are already underway, and their ethical, moral and social consequences are huge.
A focus on fakes news, surveillance capitalism, the weaponisation of... Read more
Griffith Review 63: Writing the Country
Edited by Julianne Schultz and Ashley Hay
Submissions now open
Deadline for full submissions: 30 July 2018 (no pitches)
To be published: 28 January 2019
Place. Land. Country. Home. These words frame the settings of our stories. In 2019, Griffith Review 63: Writing the Country focuses on Australia’s vast raft of environments to investigate how these places are changing and what they might become; what is flourishing and what is at risk.
The environmental vocabulary of our times requires dramatic terms: extinctions and endings; tipping points and collapses; bottlenecks and cascade effects. In recent years the genre applied to stories of place has morphed from ‘nature writing’ through ‘new nature writing’ to ‘post-nature writing’, and the relationship between people and their environment has shifted from one of innocence to one of anxiety.
Is this simply an urban age? Or is it fundamentally different? Is... Read more